Panasonic Lumix GH7 body with 12-60mm f/2.8-4 Lens (DC-GH7L)

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Panasonic

The latest Micro Four Thirds Lumix GH7 Mirrorless Camera from Panasonic, which now features ProRes RAW internal recording,...

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The latest Micro Four Thirds Lumix GH7 Mirrorless Camera from Panasonic, which now features ProRes RAW internal recording, 32-bit float recording with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs. This flagship update to the powerful GH6 retains all the valuable existing features, including the same compact form factor, a 25.2MP sensor, 5.7K30 Apple ProRes 422 HQ internal recording, improved Phase Hybrid AF, a 13+ stop dynamic range boost, and 5-axis stabilization to accommodate indie film, pro/consumer photography, documentary, or even as a B-camera in high-end productions. 25.2MP BSI CMOS sensor with 13+ stop dynamic range boost with rich gradation for vibrant, detailed photos and videos. Upload still images and proxy videos directly to the Adobe Cloud Frame.io platform. Redesigned from the ground up, this sensor improves upon its predecessors in the GH Series with new components and software. It has an improved 13+ stops of dynamic range boost despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. 5.7K30 ProRes RAW HQ footage can now be recorded internally on the camera via a CFexpress Type B card, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices.

 

The SD slot can capture up to 10-bit 4K120 footage. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording. The GH7 is always ready to capture 48 kHz 24-bit with its built-in mic. The camera can capture the subject even in challenging scenes involving multiple subjects, delivering accuracy even in backlit or low-light environments. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane. In-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule. LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX's workflow compatibility. Panasonic recognizes the importance of shooting extended clips and has designed the GH7 to not have a maximum record time.

 

There's no need to stop shooting due to overheating. 3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise, which appears in only one of the three frames. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details like hair and wires to minimize moiré patterns. In addition to internal recording to the CFexpress card, the GH7 supports 12-bit raw video output in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI when recording to Atomos Ninja V and V+ external recorders in ProRes RAW. By shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. Autofocus remains available to actively make changes while recording up to 200 fps. Time-lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing. Though Lumix is known for stellar video production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual image stabilization, and continuous shooting up to 75 fps with an electronic shutter. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with the electronic shutter and AFS or 14 fps with the mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with the mechanical shutter or 7 fps with the electronic shutter. Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed. Both video and stills can be recorded and played back using an external SSD when connected via the USB-C port. This enables saving to larger capacity drives and working with media that immediately compatible with most post-production workflows. The free-angle 3" 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It features high contrast, high brightness, and high visibility even under strong sunlight. The body of the GH7 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card. An additional video record button on the face of the GH7 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones.

 

The Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens from Panasonic is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of color fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilizer system helps to minimize the appearance of camera shake for sharper handheld shooting. Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range. Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.Splash, dust, and freezeproof design benefits working in inclement weather conditions.


Panasonic GH7 Specs

Imaging
Lens Mount
Micro Four Thirds
Sensor Resolution
Actual: 26.52 Megapixel
Effective: 25.2 Megapixel (5776 x 4336)
Image Sensor
17.3 x 13 mm (Four Thirds) BSI CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 2x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
100 to 25,600 (Extended: 50 to 25,600)
Video
100 to 12,800 (Extended: 50 to 12,800)
Metering Method
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
2500 to 10,000K
Presets: AWB, Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Mechanical Shutter
Up to 14 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG)
Electronic Shutter
Up to 75 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG)
Self-Timer
2/3/10-Second Delay
Still Image Capture
Image Sizes
4:3
100 MP (11,552 x 8672) *Via In-Camera Pixel-Shift
50.5 MP (8192 x 6144) *Via In-Camera Pixel-Shift
25 MP (5776 x 4336)
12.5 MP (4096 x 3072)
6.5 MP (2944 x 2208)
5 MP (1920 x 1440)
3:2
89 MP (11,552 x 7696) *Via In-Camera Pixel-Shift
44.5 MP (8192 x 5464) *Via In-Camera Pixel-Shift
22 MP (5776 x 3848)
11 MP (4096 x 2728)
5.5 MP (2944 x 1960)
5 MP (1920 x 1280)
16:9
75 MP (11,552 x 6496) *Via In-Camera Pixel-Shift
37.5 MP (8192 x 4608) *Via In-Camera Pixel-Shift
18.5 MP (5776 x 3242)
9.5 MP (4096 x 2304)
5 MP (2944 x 1656)
5 MP (1920 x 1080)
1:1
75 MP (8672 x 8672) *Via In-Camera Pixel-Shift
37.5 MP (6144 x 6144) *Via In-Camera Pixel-Shift
19 MP (4336 x 4336)
9.5 MP (3072 x 3072)
5 MP (2208 x 2208)
5 MP (1440 x 1440)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
Image File Format
JPEG, Raw
Video Capture
Internal Recording Modes
ProRes RAW/ProRes RAW HQ
5728 x 3024 at 23.98/24.00/25/29.97/50 fps [1 to 4.2 Gb/s]
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [1.1 to 4.2 Gb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s]
H.264/MOV/MPEG-4 AVC 4:2:2 10-Bit
5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s]
H.264 ALL-Intra/MOV 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s]
1920 x 1080i at 50/59.94 fps [100 Mb/s]
H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s]
1920 x 1080i at 50/59.94 fps [50 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s]
4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
4096 x 2160 [150 to 300 Mb/s]
3840 x 2160 [72 to 300 Mb/s]
1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080i at 50/59.94 fps
Raw 12-Bit via HDMI
5760 x 4320
5744 x 3024
DCI 4K (4096 x 2160)
Fast-/Slow-Motion Support
Yes
Gamma Curve
Panasonic V-Gamut, Panasonic V-Log
Recording Limit
No
IP Streaming
RTMP, RTMPS
1280 x 720 to 1920 x 1080 at 29.97p, 59.94p (4.0 to 16.00 Mb/s)
RTMP, RTMPS, UVC/UAC
1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.00 Mb/s)
3840 x 2160 at 29.97p (4.0 to 16.00 Mb/s)
RTP, RTSP
1280 x 720 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 50.00 Mb/s)
Built-In Microphone
Stereo
Audio Recording
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel 16-Bit 48 kHz AAC Audio
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
Video I/O
1x HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
Power I/O
1x USB-C Input
Other I/O
1x USB-C Data/Monitor/Tether/Video Input/Output (Shared with Power Input)
Wireless
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
Mobile App Compatible
Yes: Android & iOS
App Name: Panasonic LUMIX Sync/Lumix Lab
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3"
Resolution
1,840,000 Dot
Display Type
Free-Angle Tilting Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
3,680,000 Dot
Eye Point
21 mm
Coverage
100%
Magnification
Approx. 0.76x
Diopter Adjustment
-4 to +3
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
Autofocus Points
Photo, Video
Contrast Detection: 315
Autofocus Sensitivity
-4 to +18 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
Shoe Mount
1x Hot Shoe
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm
Weight
1.8 lb / 805 g

 

Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens Specs 

 

Focal Length
12 to 60mm (35mm Equivalent: 24 to 120mm)
Maximum Aperture
f/2.8 to 4
Minimum Aperture
f/22
Lens Mount
Micro Four Thirds
Lens Format Coverage
Micro Four Thirds
Angle of View
84° to 20°
Minimum Focus Distance
7.87" / 20 cm
Maximum Magnification
0.3x
Optical Design
14 Elements in 12 Groups
Diaphragm Blades
9, Rounded
Focus Type
Autofocus
Image Stabilization
Yes
Filter Size
62 mm (Front)
Dimensions (ø x L)
2.69 x 3.39" / 68.4 x 86 mm
Length at Maximum Extension
4.72" / 120 mm
Weight
11.29 oz / 320 g

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